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The burden of deconstructing whiteness and systematic oppression should no longer fall squarely on the shoulders of black and brown bodies. This weight and its solutions have to be carried by and wrestled within the bodies of those who no longer desire to continue to perpetuate and benefit from them

Xaviera Simmons

Index One-Composition Three, Courtesy of the Artist

Date:
May 10–July 28, 2018

Recess Assembly, 370 Schermerhorn Street, Brooklyn, NY 11217

Public Hours:
Thursday - Saturday, 12-6pm

From May 10th to July 28, Assembly will host The burden of deconstructing whiteness and systematic oppression should no longer fall squarely on the shoulders of black and brown bodies. This weight and its solutions have to be carried by and wrestled within the bodies of those who no longer desire to continue to perpetuate and benefit from them a project by Xaviera Simmons that will use Assembly’s public storefront for a multimedia video presentation and as a documentary filmmaking studio to compile a series of interviews designed to decenter Whiteness. This gallery activation is realized in partnership with Claudia Rankine’s The Racial Imaginary Institute (TRII). The artist and the Assembly program are collaborators for TRII’s summer exhibition and symposium “On Whiteness,” presented at The Kitchen.

Pointing to writers, activists, artists and everyday people, The burden of deconstructing whiteness and systematic oppression should no longer fall squarely on the shoulders of black and brown bodies. This weight and its solutions have to be carried by and wrestled within the bodies of those who no longer desire to continue to perpetuate and benefit from them approaches Whiteness not only as it is applied to individuals, but how it dominates every measure of life in The United States.

Simmons will collaborate with Assembly participants to produce a video-based project comprised of footage, commentaries, and interviews captured and edited on site. The artist will guide the young people as they engage friends, families and strangers around the question: how has whiteness affected your lived experience? Culminating in the production of an expansive video-collage sourced from a range of material including mobile phones photographs and video, recorded audio, digital video, Polaroid photography and text works, Simmons’ project will examine the potential for personal and collective storytelling to decenter whiteness in order to hold space for new narratives.

About the artist

Xaviera Simmons

Artist & Former Board Member

Xaviera Simmons’s body of work spans photography, performance, video, sound, sculpture and installation. She defines her studio practice, which is rooted in an ongoing investigation of experience, memory, abstraction, present and future histories-specifically shifting notions surrounding landscape-as cyclical rather than linear. In other words, Simmons is committed equally to the examination of different artistic modes and processes; for example, she may dedicate part of a year to photography, another part to performance, and other parts to installation, video, and sound works-keeping her practice in constant and consistent rotation, shift, and engagement.

Xaviera Simmons received her BFA from Bard College (2004) after spending two years on a walking pilgrimage retracing the Transatlantic slave trade with Buddhist monks. She completed the Whitney Museum’s Independent Study Program in Studio Art (2005) while simultaneously completing a two-year actor-training conservatory with The Maggie Flanigan Studio. She is a visiting lecturer and the inaugural 2019 Solomon Fellow at Harvard University and was awarded The Charles Flint Kellogg Award in Arts and Letters from Bard College in Summer 2020. In 2019, Xaviera Simmons’s work was included in over fifteen museum exhibitions including shows at the ICA Boston, SFMOMA, The Phillips Collection (D.C.), National Museum of Women in the Arts (D.C.), Barnes Foundation, and many others. In 2017, Simmons’s work was included in exhibitions at Harvard University, The Studio Museum in Harlem, The Museum of Contemporary Art (Chicago), and The Institute of Contemporary Art (Winnipeg). In the same year, three of Simmons’s works were acquired by The Museum of Modern Art, New York. In 2015, Simmons was awarded the Foundation for Contemporary Arts (Robert Rauschenberg) Grant. Simmons has exhibited nationally and internationally where major exhibitions and performances include The Studio Museum in Harlem, The Contemporary Arts Museum Houston, The Public Art Fund, The Sculpture Center, The Aldrich Contemporary Art Museum, Museum of Contemporary Art Chicago, Institute of Contemporary Art Boston, and Brooklyn Museum, among many others. Her works are in major museum and private collections including The Museum of Modern Art, The Nasher Museum, Deutsche Bank, The Rubell Family Collection, UBS, The Solomon R. Guggenheim Museum, The Agnes Gund Art Collection, The Museum of Contemporary Art Chicago, The Studio Museum in Harlem, ICA Miami, The High Museum, The de la Cruz Collection, and Perez Art Museum Miami.

Website

In January 2017, Recess launched Assembly to serve as an artist-led alternative to incarceration while empowering young people to take charge of their own life story and imagine a positive future through art. Through the 40-week Peer Leader program, our young people are exposed to various mediums of art making, careers in the arts, and internships at arts and culture spaces around the city as a pathway to a career in the arts. A guest artist joins each new cohort of the program and collaborates with youth on a project in our public storefront gallery.

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