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Assembly

Project al-Khwarizmi (PAK) POP-UP Workshop

Stephanie Dinkins

Date:
September 7–December 22, 2017

Recess Assembly, 370 Schermerhorn Street, Brooklyn, NY 11217

Public Hours:
Thursday - Saturday, 12-6pm

From September 7 – December 22, 2017, Assembly’s public storefront gallery will host Project al-Khwarizmi (PAK) POP-UP Workshop, a project by Stephanie Dinkins devoted to exposing pervasive forms of digital discrimination and offering means of working against these inequities. Similar to Recess’s seasoned Session program in Soho, which allows artists to pursue works in progress in a public setting, Assembly grants participating artists the opportunity to activate and add to the space cumulatively, working toward an evolving installation rather than a static exhibition.

Central to PAK POP-UP Workshop is an investigation of algorithms—precise, reusable sets of steps developed for computers to accomplish tasks. Algorithms are the building blocks that make up digital communication systems, medical records archives, and business operations software (among other structures). More generally, anyone who surfs the internet or uses intelligent personal assistants like Siri or Alexa comes into contact with algorithms whose outcomes range from ranked search findings to targeted advertisements in their most harmless forms. While these results might seem to be objectively generated, algorithms can produce content that reinforces systemic inequities. For example, low-income individuals might receive notifications for high-interest loans online, or Siri might harbor racial biases about its user.

Throughout PAK POP-UP Workshop, Dinkins will create opportunities for visitors to isolate and study algorithmic systems in order to consider how the biases ingrained within them impact our daily lives and mold our histories. In particular, the project will include a video installation documenting the artist’s interactions with the social robot Bina48, a workstation and confessional in which visitors can trace and explore the ways in which digital discrimination arises, and schematics of the algorithmic systems that perpetuate racial and socioeconomic biases. Across these components, PAK POP-UP Workshop will endeavor to empower individuals to recognize and intercept moments in which our personal traits are identified, flattened, and used against for or against us by emergent technologies.

In addition to her work on PAK POP-UP Workshop in the gallery space, Dinkins will participate as a guest teaching artist during the educational diversion programs, and she will collaborate with lead teaching artist Leonardo to incorporate material from her project into the program’s curriculum. Dinkins will also guide program participants in creating final projects that, once complete, will appear alongside her work in the storefront gallery.

About the artist

Stephanie Dinkins

Artist

Stephanie Dinkins is a New York based transmedia artist. She creates platforms for dialog about artificial intelligence as it intersects race, gender, aging, and our future histories. Dinkins is particularly focused on working with communities of color to co-create more inclusive, fair and ethical artificial intelligent ecosystems.

Dinkins’ art practice employs lens-based practices, emerging technologies and community engagement to confront questions of bias in AI, consciousness, data sovereignty and social equity. Investigations into the contradictory histories, traditions, knowledge bases and philosophies that form/in-form society at large underpin her thought and art production.

Dinkins earned an MFA from the Maryland Institute College of Art in 1997 and is an alumna of the Whitney Independent Studies Program. She exhibits and publicly advocates for inclusive AI internationally at a broad spectrum of community, private and institutional venues – by design. Dinkins is a 2019 Creative Capital Grantee as well as a 2018/19 Soros Equality Fellow, Data and Society Research Institute Fellow and 2018 Sundance New Frontiers Story Lab Fellow. Past residencies include Eyebeam, Pioneer Works Tech Lab, NEW INC, Blue Mountain Center; The Laundromat Project; Santa Fe Art Institute and Art/Omi.

The New York Times recently featured Dinkins in its pages as an AI influencer. Apple Inc recognized Dinkins’ research and community-centered efforts by featuring her as a local hero in their “Behind the Mac” ad campaign (Brooklyn, NY edition). Wired, Art In America, Artsy, Art21, Hyperallergic, the BBC, Wilson Quarterly and a host of popular podcasts have recently highlighted Dinkins' art and ideas.

Dinkins is an Associate Professor in the Department of Art at Stony Brook University, and on the Art Advisory Committee for Simons Center for Geometry & Physics.

Website

In January 2017, Recess launched Assembly to serve as an artist-led alternative to incarceration while empowering young people to take charge of their own life story and imagine a positive future through art. Through the 40-week Peer Leader program, our young people are exposed to various mediums of art making, careers in the arts, and internships at arts and culture spaces around the city as a pathway to a career in the arts. A guest artist joins each new cohort of the program and collaborates with youth on a project in our public storefront gallery.

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