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Session

Portals: Traversing Black Continuums

Kendra J. Ross, Ziedah Diata, and Pia Monique Murray

Due to the process-based nature of the Session program, this project will undergo constant modifications; the features of this page provide accruing information on the project’s developments.

Date:
October 2–November 9, 2025

Drop-in Hours - No RSVP needed
Thursdays-Saturdays, 12-5 pm
Either the artists or Recess staff will be available to view the project in process.

In the past I have often looked outside of myself–society at large, my culture, my neighborhood–for answers on how I should move forward. Portals became my entry point to dig into my own personal history and experiences by way of everyday objects. It is through the very ‘mundaneness’ of the objects that I found the courage to allow them to transport me and my collaborators into my/our memories, dreams, aspirations and fantasies. The everyday became magical. Allow us to take you on our journey through these PORTALS.

- Kendra J. Ross

We are Kendra J. Ross, Ziedah Diata, and Pia Monique Murray, longtime friends and neighbors in Bedford Stuyvesant, Brooklyn. Opening at Recess as part of Session, we are bringing our individual practices together for the first time to create a deeply collaborative project. PORTALS: Traversing Black Continuums is a journey through time, space, generations, and dimensions! A multi-disciplinary work, PORTALS interweaves dance, sound, video, and craft into a fully immersive installation that is transportive and transformative.

Our super fast-paced society spits out technological advancements faster than our human imaginations can even dream, and still so much is out of our control. There is so much wisdom to be gleaned from manual and analog technologies, and with less negative impacts than our digital and virtual advancements. Common items from our lives– candy, bags, mirrors, and water, serve as portals to travel between Black past, present and the Afro-future. Whether through a lesson passed down by an elder with a butterscotch drop, or a bag full of bags tucked in a kitchen corner, these items symbolize the resilience and ingenuity passed down through Black families over generations that we can use today.

More/new technology will not save us. There is no answer AI could generate that would liberate us from ourselves. We must return to our ancient technologies, rely on our ancestral wisdom. We once understood our place in relation to all things, and we can get there again. But it is not with more technology, and it is most certainly not with AI.

- Pia Monique Murray

PORTALS is about exploring how mundane, everyday objects serve as gateways through the continuum of the Black experience. While this project is intended to be experienced and enjoyed across race and culture, the bridging of Black experiences—across space and time—is at the center. Therefore, we center the Black community in the cultivation and development of the ever-evolving work. This time travel journey comes to life through intergenerational conversation and participation through the weaving of perspectives, associations, and societal contexts for the objects we are exploring. We hope this Session will be an invitation to shift our perspective of innovation away from always trying to make something new and toward the observation, interrogation, upliftment and reinvention of tradition and custom.

In PORTALS the collaborative art-making process with the public is as core to the project as the final installation. Our creative process invites others to participate by sharing stories, contributing items to the community altar, joining art-making workshops, or participating in the community conversations. Each artist in our collective will host a workshop centering their own practice, in which participants will get to make items and expressions that will appear in the final installation. We invite you to be inspired by the sounds of water as you create original poetry, share valuable life lessons while crafting a candy mosaic, or join a dance workshop and have your movement captured for the evolving on-site video installation!

— Kendra J. Ross, Ziedah Diata, and Pia Monique Murray

Drop-in Hours

During open hours, community members are invited to witness and participate in the art-making process. You’re welcome to contribute to our evolving community altar—by offering an item such as a piece of candy, a mirror, a bag, or a container of water, something seemingly mundane that holds personal meaning for you. You can also choose to share a story or respond to one of the prompts provided.

About the artist

Kendra J. Ross

Artist

Kendra J. Ross is a proud Detroit native working as a dancer, choreographer, teaching artist, facilitator and community organizer in Bed-Stuy, Brooklyn. As a dancer in New York City, Kendra has worked with Urban Bush Women (UBW), Andrea E. Woods/Souloworks, Ase Dance Theater Collective, Monstah Black/ Motion Sickness, MBDance, Moving Spirits Dance Company, RAKIA!, Melanie Green, Movement of the People Dance Company and as a guest artist with Oyu Oro. Kendra completed a European tour dancing with Adira Amram and DJ Kid Koala in Vinyl Vaudeville 2.0 and performed with Gyptian at the MTV Iggy awards. Kendra’s choreographic work has been presented at the Florida A&M University, the off Broadway show 7 Sins, Museu de Arte in Salvador, Brazil, Dixon Place, Ailey Citigroup Theater, Actors Fund Theater, and Mark Morris. She has been an Artist in Residence at Brooklyn Studios for Dance, Bates College, Marymount Manhattan, and The Neighborhood Project Through 651Arts, a BAX Space Grantee, and a Visiting Artist at Atlantic Center for the Arts. She was recently the 2022 Inaugural BedStuy Artist in Residence at The Laundromat Project. She is currently a Jerome Hill Artist Fellow. Along with sharing her art world-wide, Kendra serves as a Facilitator with UBW’s BOLD (Builders, Organizers, and Leaders Through Dance) network and the Founder/Director of STooPS that uses art as a catalyst to strengthen ties between different entities in Bed-Stuy. STooPS has been featured as the New York Times Best of Dance/Best of the Street, New12, Pix 11, NY1, and Bare Feet with Mickela Mallozzi.

Artist Website

Ziedah Diata

Artist

Ziedah Diata is a Brooklyn, New York-based artist, facilitator, and attorney. Since 2011, Ziedah has created participatory art experiences independently and in collaboration with cultural organizers, teachers, poets, healers and playwrights. Her work is inspired, in part, by the recurring themes that emerged in testimony during her 15 year career as an administrative law judge: harm, repair, empathy, healing and transformation. In 2023, Ziedah left her role as Chief Administrative Law Judge for the New York State Department of State. She now explores these same themes through facilitated art-making and storytelling experiences

Website

Pia Monique Murray

Artist

Pia Monique Murray is a choreographer, performer, installation artist, teacher, and creative producer. She leads Pia Monique Murray Dance Collective (PMMDC), producing movement-based multidisciplinary performance works that include community engagement and audience interaction as an artistic practice. Pia was a 2023 CCI 2.0 Producing Fellow with Urban Bush Women and currently is Associate Producer of Haint Blu by Chanon Judson and Mame Diarra Speis, co-producer of When Black Women+ Speak, and Associate Producer of the 40th Anniversary season. As Bailey’s Cafe’s Producing Artistic Director she produces and curates As Quiet as It’s Kept, a multidisciplinary ethnography project about longtime residents in Bedford-Stuyvesant, Brooklyn. Additionally, Pia is Creative Producer of Kendra J. Bostock’s KJB Works company and the STooPS Summer Festival in Bedford Stuyvesant. She is also the creator of Black Daisies, an interdisciplinary project that centers joy as political activism.

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